Editing can be the hardest and most frustrating process involved in working on a photo project, but ultimately it’s the very moment the story, the atmosphere and the message you intend to convey take shape. I’ll take Dias Eternos, a long-term project shot by photographer Ana Maria Arevalo in Venezuelan prisons and featured by The New York Times and the Pulitzer Center among others, as an example to share a few advice.
You’re getting blind.
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