Light and Time
Laure Tiberghien’s first monograph gathers 10 years of her experimentation with cameraless photography.
The book, which carries the artist’s name, features 84 prints. Each one of them is a unique piece resulting from a masterful approach to composition, preceded by color tests and a meticulous procedure developed over the years.
The lack of figurative anchors allows the eye to space over each surface, resting on the details, absorbing a range of tones that, depending on the paper of the original print, result in wet, dense or electric colors, reminiscent of painter Mark Rothko’s visions.
