Edwin Torres Recites His Poem with Music and Performer Gina Bonati" At The Poetry Project's Annual New Year's Day Marathon – St. Mark’s Church in New York, 1998. © Lina Pallotta
IN IMAGES

Who Needs Poetry?

Photographer Lina Pallotta was taken in as family within New York City’s underground poetry circles of the 90s and 2000s. Decades later, her book Tongue on Flames reflects on the legacy of that community, and on what it can still offer today.

 

By Gaia Squarci. Photographs by Lina Pallotta.

Pedro Pietri At The Knitting Factory – New York, 1996 © Lina Pallotta

“I can’t remember how it started. I found myself in the middle of it.” Poetry slams — improvised spoken word battles — were born in Chicago in 1986 with poet Marc Kelly Smith and brought to New York by Bob Holman. In the Lower East Side of the 90s, places like the Nuyorican Poets Cafe, the Bowery Poetry Club and St. Mark’s Church became hubs of counterculture and independent thinking.

Nadine Mozon performing in New York, 1995 © Lina Pallotta

That’s the thing about subcultures: you can ignore them entirely, and life goes on. But the moment you step inside, that space expands into a network of recognition and solidarity. In this case, the network ranged from figures like Saul Williams and Patti Smith to voices yet unheard.

Saul Williams and Jessica Care Moore At National Poetry Slam, Portland, 1996 © Lina Pallotta

Photographing poetry is a daunting task, but Lina Pallotta focused on the energy surrounding it. The book moves through flashes of faces, gazes, gestures, surfacing from the black pages like unstable memories. Audience participation was at the core of those nights. As Bob Holman put it, judges “rate the poem between 0 — a poem that should never have been written — and a 10!, a poem that causes mutual simultaneous orgasm throughout the audience.”

Dana Bryant At The Nuyorican Poets Cafe. New York, 1993 © Lina Pallotta

Tongue on Flames also brings together poems by Paul Beatty, Patricia Smith, Janice Erlbaum, Pedro Pietri, Sapphire and John Giorno, alongside an opening poem by Holman, written in the 90s anticipating this book. “I think that sense of community remains,” says the author. 

The crowd ar Fez 41 – New York, 1993 © Lina Pallotta

Her approach has always been subjective, just like the language of the slam, which turns individual experience into something shared. Lina Pallotta hopes the book reaches beyond those already interested in poetry, as a space of presence not meant to be polished, but to hold an energy that embraces all kinds of emotion. Raw, dirty, honest, imperfect, uncomfortable.

End of the night at The Poetry Project's Annual New Year's Day Marathon. St. Mark’s Church in New York, 1996 © Lina Pallotta
An unknown poet at The Nuyorican Poets Café during a Friday Night’s Slam. New York, 1996 © Lina Pallotta

Tongue on Flames is published by Nero Editions and available at €32.

You’re getting blind.
Don’t miss the best of visual arts. Subscribe for $8 per month or $96 $80 per year.

Already subscribed? Log in